As if we’d have sex in a cave surrounded by hordes of demons. This is reality, not your fevered imagination.
Isabelle, City of Heavenly Fire
Everyone gets the time they get together, and no more. Maybe we’re not so different that way.
Alec, City of Heavenly Fire

The inside of the City of Heavenly Fire jacket will feature new character art from Cliff Nielsen, the talented artist behind the covers of all the Shadowhunter Chronicles books. 

cassandraclare:

#TMITuesday Jace and Jem. Another in Cassandra Jean’s set of postcards of scenes from City of Heavenly Fire. 
It’s #TMI Tuesday and I’m also sharing a sneak peek at all-new Cliff Nielsen character art that will appear on the inside of the first edition of City of Heavenly Fire jacket. Find out how you can get exclusive access to it here: www.shadowhunters.com/TMITuesday 
(Basically, go to the link, and share the content — through Twitter, Tumblr, or email — and it’ll unlock buttons along the right side of the page. Click on the one that says “ART REVEAL” and it’ll show you a piece of the art from the inside jacket, as well as providing new quotes from CoHF and shareable art.)
1 day ago
21.Apr.14
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Angelic rune; The first and most powerful rune given to Shadowhunters by the Angel Raziel.

Heronstairs

cassandraclare:

About Will and Jem…

Dear Cassie,

Thanks again for your response to my question about Tessa! I originally wrote this the day after Heronstairs day, but with CoHF and TBC, I know you’ve been super busy! 

I have a question regarding two big players in the Shadowhunter ‘verse: Will and Jem. Yesterday a lot of people were posting about them due to the date (November 10th) and it got me thinking.

How are we as readers meant to interpret their relationship? After CP2, you posted about the relationships between  Tessa, Will, and Jem and said “At no point do Will and Jem discuss their need for a chaperon, lest they give in to irresistible temptation and sully the senses out of each other.”

Online, however, there is a lot of discussion about it in terms of a relationship including romantic love. They are talked about as the third love story of TID, the third side of the triangle. 

Platonic friendship is wonderful and I think their relationship is great no matter what, but I also think there is something inherently different though about how something “could be canon. the evidence is there” with a queer vs hetero relationship. (Harry and Hermione are probably the biggest example I can think of this, with huge numbers of people viewing it as friendship and a very large number seeing romantic love. Their relationship is meant to be seen as friendship, more like family. They even spell it out in the last book!) It’s more of a representation issue. If Harry and Hermione don’t have those feelings, there are still plenty of other straight couples in HP.

So, as Will and Jem, are your creations, what are your thoughts on all of this? Are readers meant to understand that Jem and Will are bi of some sort (romantic and or sexual)? Is it part of the goals of writing about a not typically portrayed love triangle? Are the love interests of the protagonist queer? How would you define their relationship? 

-K

P.S. I really enjoy all of your posts regarding representation in fiction, as someone who isn’t straight.

 Hi! Thank you first for your kind words about my posts.

When you’re dealing with representation, and reader interpretation, you’re always dealing with tricky business. I incredibly appreciate the imagination of my readers. I also know my word is not the last word on what happens in my books: no book follows every moment in the lives of its characters. What happens in the liminal spaces — the time before Jem and Will met Tessa for instance — very much belongs to the reader.

I feel uncomfortable telling readers what they’re “meant to understand.” I want them to feel like their reads are valid. There are readings I disagree with (like that Will and Jem would have been better off if they’d never met Tessa, that Tessa doesn’t really love Will/doesn’t really love Jem, etc) but that doesn’t mean they’re not meaningful for the readers who interpret the story that way.

Jem and Will have an incredibly intense relationship. They also live in a time/place where friendships and relationships between men were romanticized, and were spoken of in incredibly romantic and flowery language. I think they often speak to and about each other in a way modern readers interpret as romantic because it sounds romantic. The Victorian Romantic Friendship Reader describes the era as a time when “when men could openly express an unashamed, unselfconscious, all-consuming love for members of their own sex.” Tennyson, as far as we know (okay, there’s some debate) was straight, but wrote a long elegy on the death of his friend Arthur Hallam in which he calls him “all I love,” “him I loved, and love / For ever,” and “my lost desire.” (The poem is “In Memoriam”, which shows up a lot, not coincidentally, in Clockwork Princess.)

Will and Jem definitely have a romantic friendship, and I do think the love triangle is a true triangle in the sense that Jem and Tessa love each other, Will and Tessa love each other, and Will and Jem love each other. Is their love canonically a sexual love? Here is where this is is a tricky issue because these are two distinct moral goods at play here.

 It’s very important to me that I not be given credit for representation that is not explicit in my books. I believe we are at a time when books can show characters who are not heterosexual, and those books can be published (though of course there are still many obstacles for diverse books and pressure on creators not to create diverse works, which makes it even more clear that we have a responsibility to do so.) Therefore queer coding, or later saying “Of course So-and-So was an LGBTQ character, or of course there are LGBTQ characters in my work but we never heard about them in the work and they never had any relationships and nothing would clue you in on their identity…” is not sufficient. There are gay couples in the Shadowhunters ‘verse where their sexuality is explicit on the page: there is no question with Magnus and Woolsey that they are bi and gay; there is no question in TMI about Alec and Magnus, or Aline and Helen, or any question in the Bane Chronicles that Magnus is bisexual and in relationships with men and women. That’s part of why I, along with Maureen and Sarah, wanted to write the Bane Chronicles so much—to have Magnus front and center. He deserves to be, and LGBTQ readers deserve such a protagonist. But I also think they deserve better than queer coding and hints at sexuality that isn’t hetero — that stuff should be on the page, and if it isn’t — if it’s your “headcanon” as a writer — then that’s great, but that isn’t per se representation.

 That said, I strongly believe readers should have the freedom to interpret works as they will, without a creator looking over their shoulders: There are liminal spaces in my books which are designed for readers’ imaginations to fill in. No two readers ever read quite the same book. I don’t want to take away any possible interpretations from readers: it would feel like robbing them of enjoyment I believe they should have and depriving my work of some layers. The author’s dead, and to an extent I want to be considered dead—as long as nobody comes and pops me off this mortal coil when I’m eating a yoghurt so they can enjoy my books more. I don’t ever want to get in the way of my readers enjoying my work the way they want to. 

So I hope you understand when I say: I can’t entirely answer that question. Do I mind Heronstairs? Not at all. I am totally 100% behind those who ship it. (Ship and let ship, I say.) Do I think Heronstairs makes total sense within the framework of the narrative of Infernal Devices? Yes, it does. Nothing contradicts it. Do I think Will and Jem are bisexual representation? No, and I shouldn’t get any credit for them being so. Does that mean they’re not bi? No. Does that mean they are bi? No. It means you get to decide now.

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(Hopefully we can all agree they are adorable?)

Cassandra Clare’s ‘City of Bones’ read by ‘Parenthood’s Mae Whitman — EXCLUSIVE | EW.com →

cassandraclare:

City of Heavenly Fire, the final book in The Mortal Instruments series, comes out in only six weeks on May 27, 2014. That means you have six weeks left to revel in the saga of Clary and her golden boy Jace and her dark angel brother Sebastian and the most loveable dork/vampire Simon and the man-eating, demon-killer Isabelle and poor, lovesick Alec. After this, guys, it’s finito.

As we roll up to the final book, Simon & Shuster is releasing a new edition audiobook for City of Bones, which will be narrated by Mae Whitman, who plays Amber Holt on Parenthood

The last installment of The Bane Chronicles, The Course of True Love (And First Dates)was published as an e-book on March 18th and Simon & Shuster has just finished the audio version narrated by Gareth David-Lloyd. David-Lloyd starred in the Dr. Who spin-off Torchwood

Whee, Mae Whitman — as I announced earlier this week - and we were thrilled to get Gareth David-Lloyd, who played Ianto on Torchwood

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to read the last installment of Bane. Gareth has a gorgeous voice, and Jack and Ianto on Torchwood (pictured above!) were a seminal example of queer representation in pop culture science fiction and fantasy. After such a great lineup of readers, this is a terrific note to go out on — hope you guys are as happy as we are!


City of Heavenly Fire Secrets

Actress Mae Whitman to Narrate a New Audiobook Edition of Cassandra Clare’s CITY OF BONES

cassandraclare:

 

As a sort of celebration of City of Heavenly Fire coming out (and the audiobook coming out — I think you guys will love the narrators) Simon&Schuster decided to re-record City of Bones (with the corrections that have been added over the years — Simon having one sister instead of two, for instance!) — with the lovely Mae Whitman as the narrator.

I always think of her as Ann from Arrested Development but she was also fantastic in Perks of Being a Wallflower. Mae!

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